“I know that to paint the sea really well, you need to look at it every hour of every day in the same place so that you can understand its way in that particular spot and that is why I am working on the same motifs over and over again, four or six times even.”
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Sapphire & Diamond Ensemble #60042
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Samples of the Collection
#60777 Yokohama Diving Helmet, Early 20th Century
 $12,500.00 Add to Cart |
Latest News
They whittled away on the teeth of their catch, over 200
years ago now, sailors bored and fatigued. They plied from primitive ports on
the North American continent, their blades shaping the faces of women they
missed, ships they had known, captains they had loved and loathed, and mates
claimed by the depths. It was slow, exacting and tedious, this carving. But the
sailors had the time. Or rather, time had them.
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Dawn light spills gentle on the entrance of a cave in Chauvet, France, illuminating a stick figure, painted on the wall. An animal: four legs, head, ears, an eye. Looking at this figure is a man, sitting cross-legged by the ambers of a fire. He appears transfixed by the eye of the animal. The eye grows more clear with the increasing focus of a new day.
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